Mindshare Picks Up Unilever’s North American Media Account

NEW YORK (AdAge.com) — After a seven-month review, Unilever has awarded its $800 million North American media-planning and -buying account to Mindshare, executives with knowledge of the review said.

WPP’s Mindshare was the incumbent on the business in the U.S. and beat out Omnicom Group’s PHD, which ran the business in Canada, and Interpublic Group of Cos.’ Initiative.

The procurement-led review was part of a global evaluation that saw a large portion of Mindshare-run business go under review, including business in the U.K. and China. In late December the company awarded PHD the $450 million China account, which includes Hong Kong and Taiwan. In a statement released in December, Unilever said Mindshare and Initiative Media previously managed the business in those regions. Other regions being reviewed include Argentina, Mexico, France, Germany, Spain, Italy, the Netherlands, Poland and Russia. 

Executives with knowledge of the review said Initiative is keeping its business in Latin America and PHD would maintain Unilever’s business in Central Europe. The agencies either referred calls to the client or could not be reached for comment.

Mindshare’s work for Unilever includes the webisode series “In the Motherhood,” which was eventually turned into a sitcom for ABC in the U.S. In China it ran a product-integration effort for Unilever’s Dove with “Ugly Betty,” which was awarded Best Use of Content at last year’s Festival of Media, in Valencia, Spain.

Mindshare has also handled extensive creative duties on multimedia programs that include digital. In mid-December Unilever announced its first digital roster, which includes Publicis Groupe’s Razorfish, Havas’ Euro RSCG and independent shops AKQA and Lean Mean Fighting Machine. Sapient, another independent shop, was also likely to be added to that list pending contractual details. At that time, Unilever also announced that it was launching reviews for regional digital rosters in North and Latin America, Europe and Asia.

With Mindshare retaining the Unilever account in the U.S. and picking up the Canada business, the agency continues its impressive run in North America, which includes recent new-business wins such as Abbott Laboratories’ $230 million-plus U.S. media-planning and -buying account, the $220 million media account for Boehringer, the $100 million Farmers Insurance business, the $60 million Sun Products account and the $10 million Skyy Spirits business.

Por checart:
Guardado en: checartnews: | Sin comentarios » | 8 de February de 2010

Walmart Makes a Viral. Yes, Walmart

NEW YORK (AdAge.com) — Expect this to happen with increasing frequency: A major marketer not known for online antics hits the top of the chart via massive offline promotion. In this case, it’s Walmart with one of its more popular TV spots getting nearly 1.7 million views on the web last week.

The Walmart spot was one of three new videos on the list. Also new is the first Super Bowl teaser to make the list, an ad from Bridgstone, which is sponsoring the halftime show with The Who.

The third spot to join the list comes from Nolan’s Cheese and contains several creative elements that help illustrate why it’s there: cuddly rodent in peril — shock — and, well, watch the video. The staff at Visible Measures has been watching this one build viewers for a few weeks before it arrived at No. 8. Obviously, this video had to earn its way on the list and it will be interesting to see how long it sticks around.

The other seven entries on the list are veterans, and part of substantial ongoing online campaigns. Worth noting, again, the staying power of Evian’s skating babies, which have spent 30 weeks among the top 10, usually at No. 1. Evian’s campaign, while down 13% this week, has racked up — wait for it — 71.6 million views overall.

Por checart:
Guardado en: on the field | Sin comentarios » | 5 de February de 2010

Ocho de cada diez usuarios de Twitter afirma que la red favorece la colaboración entre profesionales

Un 86% de los usuarios afirma que Twitter favorece la colaboración entre profesionales, según los resultados del I estudio sobre la innovación abierta en Twitter, realizado por Madrid Network y dirigido por Storm. Además, el 96% de los encuestados reconoce que es un espacio idóneo para conocer gente con proyectos e ideas interesantes. 

La muestra del informe se ha realizado con 1000 usuarios de la red de microblogging, cuyo perfil de usuario ha pasado de los 28 años de promedio en 2008, a los 33 años en 2009. El número de mujeres que utilizan Twitter ha aumentado del 22% al 31% desde 2008 y ha crecido un 13% el número de usuarios que lo utilizan varias veces al día (hasta el 81% de los usuarios).

Los datos revelan que se ha cuadruplicado el número de usuarios que hacen un uso estrictamente profesional de Twitter (del 5% al 21%), mientras que los que lo utilizan por interés personal han caído a la mitad desde 2008 (del 50% al 21%). Además, el número de seguidores de medios de comunicación y empresas se ha duplicado.

El estudio analiza también las características que hacen de Twitter un espacio para favorecer la innovación y el intercambio profesional, concluyendo que el 64% de los encuestados utilizan esta red para compartir noticias, el 60% comparte links a páginas de interés y el 46% incentiva su creatividad compartiendo ideas o reflexiones. Además, el 86% retuitea las actualizaciones de sus contactos haciendo fluir las propuestas. En este espacio también se configuran redes sociales amplias y abiertas, puesto que el promedio de follower es de 226 contactos y el 82% no tienen un contacto directo.

Un 57% de los usuarios interactúa de forma profesional y personal ya que ambos intereses están conectados en Twitter, mientras que el 78% lo utilizan profesionalmente y destacan que es una forma útil de mejorar en el trabajo (68%), promocionarse (75%) o relacionarse con otros profesionales del sector (87%). 

Por checart:
Guardado en: general | Sin comentarios » | 5 de February de 2010

Agencies Look to Defend Intellectual Property Rights in Reviews

NEW YORK (AdAge.com) — In a move that demonstrates a hardened stance on the issue of intellectual property, the 4A’s is urging agency search consultants to adopt contract language that reflects advertising agencies’ right to retain creative ideas presented during new-business pitches.

In a letter sent last night to some 30 major industry consultants — which marketers hire to help find and evaluate prospective agencies to handle their ad business — the trade organization wrote: “Members of the 4A’s new business committees would like to encourage you to consider including a stipulation in all of your agency search agreements that specifies the rights to intellectual property created by agencies during the review process remain the property of the agency until the marketer either hires the agency to execute the work or the parties agree to a commercially equitable payment for the assignment of usage rights.”

The 4A’s letter was endorsed by nearly 50 Madison Avenue standouts, such as JWT, Anomaly and R/GA, which sit on the 4A’s new-business committee.

The intellectual property debate is hardly a new one, but the trade group contends it is rowing into a bigger problem, and more ad agencies are griping about it. As the recession squeezes agencies’ margins — and as more marketers are turning to their procurement departments to try to put a specific price on marketing costs — Madison Avenue shops are trying to protect their piece of the pie. “There are more reviews that request some form of speculative agency work,” according to the letter. “Because of the economics associated with changing industry dynamics, the importance of equitably structuring agency-developed new-business IP has become more compelling.”

The 4A’s says the issue has taken on increasing importance as the economy picks up for some marketers. “Since Labor Day, the level of review activity has picked up noticeably, and more and more reviews are requesting some form of speculative thinking or work,” said Tom Finneran, executive VP-agency management services at the 4A’s. “That may well be a byproduct of marketers and CMOs being under so much pressure for ideas that can move the needle now.”

Rising tension
According to Mr. Finneran, the 4A’s has seen a spike in recent months in agencies complaining about clients’ desire to own ideas and work shown during the new-business process. “The nature of the complaints is that [requests for proposals] will come out, and, buried in the 14th paragraph of a [non-disclosure agreement], is a paragraph or sentence that says, ‘Oh by the way, and in addition to protecting the confidentiality of our agreement, we the client want to own all ideas and work product that comes out of the review process.’”

Based on a number of search consultants Ad Age spoke to about the letter, the agency search community seems to generally agree with the sentiment outlined by the 4A’s. However, they don’t necessarily agree there’s been a rise in advertisers asking to own ideas presented by agencies during pitches — and consultants don’t think the burden should fall on them to regulate the intellectual property issue.

“We totally agree with the 4A’s stance on this, and we’ve always adhered to the same guidelines they are articulating,” said David Beals, president-CEO at consultancy Jones Lundin Beals. “Having said that, we’ve not had a client in the 10 years I’ve owned this company that has disputed this take. We don’t run into clients that unfairly ask for ownership ideas.”

Additionally, said Mr. Beals, “What we don’t agree with is the 4A’s asking us to exercise some type of contractual formal agreements with our clients. … This is a legitimate issue, but it’s between the agency and the client prospect, not something to be asking the consultants to do. The agency should be the one to make the stand that ‘No, we’re not going to participate if they ask us to give the ideas away for free.’”

Consultants report that if marketers do request to own ideas, they’ll be willing to pay for them. The biggest reason why advertisers ask to own ideas at all? They are fearful of being sued by a non-winning agency that happens to produce a similar idea to the winning one, consultants say.

Uncomfortable push
“It isn’t because clients are assholes,” said Hasan Ramusevic, owner of Hasan & Co. in Raleigh, N.C. “There are a lot of legal factors to consider.”

Mr. Ramusevic said that about a year ago he voluntarily altered language in contract agreements to reflect that, in a pitch scenario, agencies should retain ownership of ideas if they are not the winning agency. Still, “I don’t know how I feel about the 4A’s pushing that on us,” he said.

“I think that this has been an issue that’s ongoing, not a rise in it,” Mr. Ramusevic said. “The difference is that the agencies didn’t fight back on the issue as much as they are today. There’s a heightened awareness, and agencies are more willing to speak up about it.”

Joanne Davis, head of Joanne Davis Consulting in New York, addresses the issue by requiring agencies to sign a letter acknowledging that, in the “likely situation” where multiple agencies submit similar ideas based on the same brief, or ideas similar to ones the client has developed internally, they will not seek to enforce copyright protection.

Ms. Davis said the problem manifests itself during pitches more often than one would think, recalling a situation a few years ago when two finalists in a pitch for a retailer presented the same tagline.

Still, Ms. Davis thinks the fact that 46 of the 55 agencies on the 4A’s new-business committee endorsed the letter sent last night is noteworthy. “I was impressed with the number of agencies that signed it — it shows you it’s a widespread issue that affects large agencies, independent agencies, holding company agencies … it’s not just a few agencies who feel that they’ve been wronged complaining.”

Por checart:
Guardado en: checartnews:, on the field | Sin comentarios » | 4 de February de 2010

El diseño forma parte de la estrategia de nueve de cada 10 empresas

El diseño es un elemento clave para la innovación y la diferenciación de productos y servicios. Sobre su importancia en la competitividad de una economía trata el estudio El impacto económico del diseño en las empresas de Cataluña, realizado por El Observatorio Diseño y Empresa del BCD Barcelona Centro de Diseño. Según los resultados del estudio, en el que han participado 400 compañías de diferentes sectores, nueve de cada 10 empresas afirma tener el diseño en cuenta dentro de su estrategia empresarial. Por otra parte, existe una relación entre el comportamiento de la facturación y la inclusión del diseño en la estrategia empresarial. Así, para el 61% el diseño influye positivamente en el beneficio empresarial y el 59% opina que mejora la productividad. También favorece la apertura de nuevos mercados (68%) y la imagen de la empresa y su notoriedad (84%).El 80% de las empresas encuestadas ha contratado alguna vez los servicios de un profesional del diseño externo, ya sea de manera puntual ( 47% de las empresas) o de forma habitual (33%).

Por otro lado, el 55% de las empresas cuenta con diseñadores en plantilla. De éstas, el 45% contrata, además, servicios externos de diseño.

Como puntos negativos, el estudio muestra que un 11% de las compañías prescinde de estos servicios y no cuenta con profesionales del diseño en su estructura por lo que sus acciones relacionadas con este aspecto son llevadas a cabo por profesionales con otro perfil. Tampoco existe entre los empresarios catalanes una preocupación por proteger el diseño. Sólo un 37% se muestra activo al respecto.

El Observatorio Diseño y Empresa es una herramienta permanente de benchmarking con otros países y regiones que tiene como finalidad recopilar y difundir estudios y documentos, así como debatir y reflexionar sobre la relación entre competitividad, innovación y diseño, y realizar estudios o clasificaciones con el fin de obtener datos sobre el impacto económico del diseño y su valor estratégico en empresas y entidades públicas: http://www.bcd.es/ca/page.asp?id=27 


Por su parte, el BCD es un centro de promoción del diseño creado en 1973 que tiene como misión promover el diseño entre las empresas como herramienta estratégica para la innovación y la competitividad, así como la proyección de Barcelona como capital del diseño. BCD recibe el apoyo de la Cámara de Comercio de Barcelona, la Generalitat de Catalunya, el Ayuntamiento de Barcelona, el Ministerio de Industria, Turismo y Comercio y el Ministerio de Ciencia e Innovación. 

Por checart:
Guardado en: checartnews:, on the field | Sin comentarios » | 3 de February de 2010